MEDIA MENTION
FIRST POST
When I was featured in Firstpost, it gave me a moment to reflect on how far this journey has taken me. Growing up in Tawang and later working as a commercial illustrator in Bangalore, I spent years drawing graphics, Bible adaptations, and mythology comics for other people’s cultures. I was completely detached from my own Tibetan identity until I turned 22. I realized I could tell you everything about ancient Egyptian or Hindu mythologies, but I couldn’t name a single Tibetan folk tale.
That realization changed everything. I quit my job, took a solo trip to Dharamshala, and dedicated my portfolio entirely to Tibet.
The recent 12-wall mural project at Gate No. 2 in Majnu ka Tila, Delhi—collaborating with the Khadhok arts collective and Students for a Free Tibet—was an extension of that mission. When designing the Panchen Lama wall, I wanted to create something that wasn’t just visually striking, but dense with our history. By painting the fading moon to symbolize our missing Panchen Lama and repeating the figures of the three mothers in traditional pangden, I wanted to capture a collective grief. Our target wasn’t the Tibetan community who already knows this pain; it was the thousands of Indian students and tourists who come for the food and the vibes, inviting them to look up and remember that our story is still being written. Read the full article by clicking the link below
PODCAST
FOUNDATION FOR NON-VIOLENT ALTERNATIVES(FNVA)
Stepping onto the FNVA podcast was a massive leap out of my comfort zone. As an illustrator, I’ve always preferred staying entirely behind the scenes—cooped up in my room with a drawing board, letting my lines and characters do the talking for me. The idea of sitting in front of a camera and doing a formal interview was completely nerve-racking at first.
But opening up on Unsilenced: Voices of Young Tibetans turned out to be one of the most rewarding experiences I’ve had. The conversation gave me a rare, meaningful space to pause and reflect on my own winding path. We talked about what it was like growing up in boarding schools across India, feeling disconnected from my heritage, and the sudden, profound awakening I experienced when I finally returned to Tawang and later visited Dharamshala.
Being able to articulate my perspective on creative ‘soft power’—and why I believe graphic novels are a vital tool for keeping our oral folklore alive—reminded me exactly why I chose this path. It wasn’t just an interview; it was a deeply validating experience that connected me to a community that cares just as passionately about cultural survival as I do. I walked away from the studio feeling incredibly grateful for the platform to share the true heart behind my art. Click the link to listen to the podcast.
TENZIN LHONDEN
When Tenzin Lhoden reached out to me on Instagram about coming onto the Courageous Ones Podcast, we were right in the thick of the chaos—hustling to finish the seven-wall mural project in the alleyways of Majnu ka Tilla. Honestly, my schedule was completely packed, and doing interviews usually feels a bit awkward for me. I’m the kind of guy who likes to make Reels but still hates the sound of my own voice! But Tenzin sent me such a chill voice note, and since he was visiting India for just a few days, I thought, ‘No way are we doing this remotely. We’re both here, let’s sit down and just make it work in person.’
We ended up recording right there at the Wongen Cafe, and it turned out to be such an effortless, raw conversation. Instead of just running through standard interview questions, it felt like two friends just hanging out and talking about the real, messy side of being a creator. I ended up opening up completely—sharing everything from the early days of dropping out of college to chase art, to the massive logistical fiascos of dealing with printing factories in Delhi, and even how I struggle with anxiety, burnouts, and learning how to just slow down and breathe.
What I loved most about this podcast was how casual it felt, yet how much room it gave me to share the true mission behind my art—like using our murals as conversation starters for Tibetan history and pushing through self-doubt to launch my comics imperfectly. I usually don’t do many interviews because I never feel like I have that much to say, but I’m incredibly glad we sat down for this one. It was a beautiful, validation-filled pitstop in the middle of a crazy creative journey. Check out his episodes in the link below.
AWARDS


Winner of the Tibet Eco-Award 2025
Lobsang Soepa has been named a joint winner of the prestigious Tibet Eco-Award 2025 in the Art Category for his powerful digital artwork, “Damnation.” The award, which includes a US$1,500 prize, recognizes outstanding creative work that addresses critical environmental challenges facing the Tibetan plateau and its interconnected global ecosystems.
About the Tibet Eco-Awards
Announced appropriately around International Mountain Day and the anniversary of His Holiness the Dalai Lama’s Nobel Peace Prize, the 2025 Tibet Eco-Awards highlight the vital role of Tibet’s glaciers and waterways. Find out more by clicking the link below.
ACKNOWLEDGING SUPPORT FROM:
Government of Arunachal Pradesh

The Tibet Fund

Chodak Care Fund 2026. CHÖDAK CARE FUND (@chodak.carefund)

International Campaign for Tibet (ICT).
